Two Guys, a Girl and a TV Set

Three college friends out in the world, filling the void with television…and loving it.

Posts Tagged ‘Buffy the Vampire Slayer’

RRR: Buffy — One of the Greatest Episodes of Any Show…EVER

Posted by Mr. Feeny on August 24, 2009

Don’t worry. I realize I’ve now posted about Buffy the Vampire Slayer on two consecutive days. But this won’t become a habit. I promise I’ll stop after this…at least until I get to Season 6’s musical episode.

But I just finished watching an episode that I had to blog about. Of all the TV shows I watch, I can’t think of an episode that’s struck me harder, touched me more. There were times I simply felt like someone had punched me in the gut. The realism was unparalleled. I’m tempted to call it THE greatest episode ever, but I figure I might be forgetting a few in my post-viewing haze. So I’ll keep it at “one of the”.

SPOILER: This is your official warning. If you’re currently catching up on Buffy, and haven’t yet reached Episode 16 of Season 5…stop now. Do not read on. That means you, CJ.

The episode (S5:E16) is “The Body.” It’s the death of Joyce. Or more accurately, everyone’s reaction to Joyce’s death. A devastating occurrence both to the characters and the audience. And Joss Whedon decided to give it that attention. Unlike the death of Jenny Calendar, or Doyle in Angel, Joyce’s death wasn’t just a part of the episode. It was the episode. There were no other storylines, from beginning to end. Except for a short scene at the end, there was nothing supernatural about it. A demon didn’t kill her (so far as I know at this point); she died of an aneurysm. A normal medical condition that Buffy with all her powers couldn’t have prevented. She was powerless, just like all of us. There was no “big bad” in this episode. No puzzle that needed to be solved. No villain to be defeated. It was just about Buffy, her sister, her friends and how they cope.

From the very start, the episode felt different. No music. No time jumps, except during a commercial. Extended scenes. Often single shots. It made you feel like you were in the room, like this was really happening. And every single emotion from every character compelled you to relate. Buffy’s panic, confusion, calmness, sickness, and ultimately short breakdown all flowed naturally into one another other in just that initial scene. There was no action (again, minus the last scene), but it never dragged. You wanted — needed — to know what happens next…even though you already knew. Everyone is familiar with the reactions associated with losing someone. I’ve just never seen it conveyed so pitch-perfectly as Joss Whedon did in this episode.

Sarah Michelle Gellar wonderfully expressed the challenge of being thrown into the parental role, as the only one left to care for Dawn. Except the one cry in Giles’ arms, she carried on, doing what she needed to do. Each character displayed other elements of the grieving process…and did so without effort. Dawn broke down. Willow consumed herself in tiny details to avoid thinking of Joyce’s death, as she tried to pick the right shirt to wear to the morgue. Xander expressed rage, wanting answers and vengeance…for an evil that can’t be seen. And Anya, as the literal and naive one, delivered the heartbreaking monologue that got to me most. The words that every grieving person wants to but can’t scream.

      “But I don’t understand! I don’t understand how this all happens. How we go through this. I mean I knew her, and then she’s, there’s just a body, and I don’t understand why she can’t just get back in it and not be dead anymore. It’s stupid. It’s mortal and stupid, and, and Xander is crying and not talking, and I was having fruit punch and I thought, well, Joyce will never have any more fruit punch, ever. And she’ll never have eggs, or yawn, or brush her hair, not ever and no one will explain to me why.”  -Anya

 

Every moment seemed almost unscripted. There was no fear of long silences. There wasn’t even a concern over perfect shots. Where in a normal episode, they’d do a quick frame of an important detail, in this episode, those elements were left unhighlighted, just as in life. The only times the camera played with your mind was when it entered Buffy’s. Showed you what she was hoping for, what she was seeing. Looking at a doctor’s chest instead of his face, so she could ignore the truth. Subtle decisions that made this episode phenomenal.

The one thing I want to leave you with: this is not just an episode for Buffy fans. Even the one scene with a vampire is done quickly and without “Super Buffy.” Her fighting seemed natural and unimportant. The first 40 minutes without the vamp…that’s where the strength of this episode lies. A perfect stand-alone drama. The hokiness, most of the humor, the sci-fi…all left behind. I almost thought I was watching a different show, right there in the room with them. And isn’t that the point of television? Escapism. Usually it’s to escape from the things that bring you down. The day-to-day realities. But this episode was cathardic in its own way. Kristine Sutherland (Joyce) got a perfect sendoff. And her fellow characters delivered it. I wish every series had just one episode like this. But it’d be nearly impossible to recreate.

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RRR: Buffy — A rare slip-up by Joss Whedon

Posted by Mr. Feeny on August 23, 2009

No, not the show itself. Buffy the Vampire Slayer is phenomenal. I only started watching it this summer, but it’s quickly moved into my Top 10 (which is really a list we should each do at some point).

But I was very disappointed in parts of the last episode I watched. Typically, creator and writer Joss Whedon is adept at keeping track of tiny little details. This is often my favorite part of serial shows. Recalling characters from seasons ago. Putting together little clues to create a timeline. That’s why I love LOST. I want to be immersed in a world when watching shows. I want to know as much about the characters as possible.

And Whedon typically does a fantastic job appealing to that part of his fan base. He often brought back minor characters, like Jonathan or Amy (even for just a split second, as she changed from rat to person to rat again). His scripts constantly allude to previous events, so that everything makes sense to long-time viewers. And the forshadowing is brilliant, seasons in advance. Like Willow’s double being a lesbian, or Tara screwing up a demon-finding spell. Little throw-aways that play an important role much later.

It’s for that reason that I had been looking forward to S5:E7 “Fool for Love” since the second season. As someone who loves the back stories, I had been dying to find out who Spike used to be. How he killed two slayers. What made him who he is. In the second season, they showed where Drusilla came from, but not Spike. So this episode was three years in the making. And they screwed it up. Twice.

In the third episode of Season 2, we were just getting to know Spike. And he clearly called Angel his sire. In other words, the vampire that made him a vampire [see the clip on the side]. But in “Fool for Love,” Drusilla is the one who bit Spike. Complete disregard for the story. And if that weren’t bad enough, the same episode features a flashback to 1900. Spike, Drusilla, Darla (Angel’s sire)…and Angel…hanging out in China. But two years earlier, Angel’s soul had been restored by gypsies, according to a flashback at the end of Season 2. Very sloppy.

It doesn’t by any means ruin the show. But I don’t know what to believe. I thought a few episodes earlier Whedon has jumped the shark by bringing in a random sister that never had been a part of the show and no one seemed to notice. But, episode 5 resolved that. So Whedon restored my confidence in his story fluidity…until now.

As you can tell, I’m one of “those” fans. The ones who obsess over little details. It makes it more fun for me. I rarely get into a show if it doesn’t have that background info for me to absorb. And it really bothers me when they scrap it. The worst example is Friday Night Lights, where they completely changed the grades of most of the characters to keep them around longer. Horrible.

But don’t worry. I won’t harp on this often. I just needed to get it out there. But you can bet I’ll mention it again if LOST does the same thing in their final season. You create a history…stick to it.

(By the way, “RRR” stands for Re-Run Review. We’ll occassionally post reviews of episodes or entire series that are no longer on the air. And we’ll catalogue them under the tab at the top)

[Oh, and a shoutout to one of our readers, “Blu” who lent me the last four seasons of Buffy to catch up. I really appreciate it…and now you can blame him for future posts like this]

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