Two Guys, a Girl and a TV Set

Three college friends out in the world, filling the void with television…and loving it.

Posts Tagged ‘The Wire’

Following a long hiatus…some random musings…

Posted by Mr. Feeny on February 1, 2010

Wow, I’ve been gone so long that I’ve been replaced by a mysterious Asian doctor. From the 1970s no less. Wait a minute…have I flashed forward or backward on this blog?

I apologize to all those many (read: three) followers of my posts. I just underwent a major relocation and have been getting used to a new job. Plus, no internet or TV for a span there. As such, I’m woefully behind on several of my second tier shows: House, Brothers & Sisters, Amazing Race (I don’t think I’m ever going to be able to finish that one). But my top tier is still alive and kicking (until my satellite started giving me choppy reception [first week I’ve had it] and forced me to stop watching HIMYM and 24 and turn instead to the blog).

To get back into the flow of things, I just thought I’d put a few thoughts that have been swimming in my head down on paper. A little something for everyone.

  • Easy prediction for this year in television: 24 will have  a poor season. I thought this before the premiere two weeks ago, and nothing has convinced me otherwise. My rationale is purely unscientific. 24‘s even-numbered seasons are always a disappointment. Season 2 was the best of them, but compared to any of the odd-numbered ones, it was cluttered, dull and lacked story. Season 4 was convoluted and required more leaps in logic than normal. Season 6 was a disaster. So clearly Season 8 will be bad. So far, it’s been lackluster. Some good things, but nothing that wows me. I wouldn’t be terribly sad if this were its last year. I feel like 24 has run its course and deserves an ending now. As long as Logan and Tony make a return.
  • Dana Delany deserves an Emmy nomination. She has been fantastic as Katherine on Desperate Housewives. She has perfectly hit every note in her jilted lover/delusional/psychopath/depressed character arc. Her last two episodes were especially sensational, as her lies became public knowledge, and then weeks later, when she opened up to a psychologist. Felicity Huffman is always the Emmy voters’ default Housewife nomination. But her time has past. It’s Delany’s turn to be recognized (though Huffman’s scene in “If…” while dealing with her would-be disabled child in the future was simply astounding. Her best performance yet).
  • Another not-so-bold prediction: NO ONE will be satisfied when LOST ends. There is simply no way. They have opened up too many questions for someone after the finale to say “hmm, now it all makes sense.” Doors will be left hanging open. And all those viewers who aren’t as obsessed with the mythology will still not be happy because of whatever explanation is provided. They’ll find it too preposterous, or a cop-out. The talk the next day will be nothing but “Really!?! That’s it!?!” That’s not to say it won’t be received well. It will have the most split fan reaction since The Sopranos ended. But still, no one will be completely O.K with it.
  • ShamIdol. Only about 5% probably got to the judges.

    American Idol‘s sham production just continues to infuriate me. Yet I still watch. Because I want to see what the next big thing will be. What millions of Americans will be talking about. But I can not express to you in words how infuriated my logical persona gets when Ryan Seacrest and the editors/producers just straight up lie to the “stupid” audience at home. Take the Chicago auditions. They say that 12,000 people tried out. And they show them at the United Center. So tell me, why is it the judges are all in front of a window looking out on Michigan Avenue??? No where near the UC. Do they ever mention that? No. They imply that all 12,000 get to see the judges. When in fact, the producers screen the masses, then pick who they want to go to the actual auditions. If that’s the way they do it, fine. I understand. It’s a huge amount of people. But don’t lie about it.

  • HOWEVER, American Idol, there are tons of great singers in that line. And only a limited number of people can see the judges in two days. So, since you saw everyone, why waste half of the audition slots with people who don’t stand a chance? That’s not fair. It’s just not fair!! For a few weeks of entertainment, you trot out these jokes, instead of giving great singers a chance. You pick the best and the worst and let the judges see them. But what if the second-best would have been well-received by the judges. Kris Allen might not have made the cut. How many Kris Allens and Jordin Sparks are out in that crowd that you turn away because you have to give William Hung his 15 minutes?
  • GRRRRRRR
  • Rant over.
  • Survivor‘s twentieth season is going to be fantastic. Heroes vs. Villains from past seasons. Going all the way back to Colby and Jerri from Season 2: Outback. Don’t miss it!
  • Better Off Ted has quickly risen to be one of my favorite comedies on the air right now. So witty and casual with jokes, that you might almost miss them. Love it. Watch it on Hulu.
  • I had a great insightful column that I half-wrote about the Conan-Leno debate. But…..it’s kind of old news now. So no need. The general point: I love Conan, but he was wrong to refuse a slightly later timeslot. He’ll never be as big as he could have been in the Tonight Show chair for decades. But NBC is the one to blame for everything.
  • I finished Season 1 of The Wire. My friends were right. Fantastic show. Not ready to call it one of the best ever, but it was incredibly entertaining after a mercilessly slow beginning. Moltisanti is correct: the character investment is superb. Not in terms of where people came from, but what they’re about. We don’t know their history, but we know their emotions.
  • I’m hoping Damages has a good rebound season. I’ll do a review on it after a few more episodes. But Martin Short, Lily Tomlin, Keith Carradine, Len Cariou (of Broadway fame)…all fantastic supporting characters this season. And I’m very intrigued by this year’s flash forward scenario……..SPOILER………..death becomes Tom Shays.
  • I just want to mention how good a year I had in reality predictions. My Dancing with the Stars selection won it. My Top Chef pick finished in the Top 3. My Survivor pick finished in the Top 4. And my three picks to be the last three standing in The Amazing Race finished 1, 2, and 4. Not too shabby.

That should tide you over for now…I wonder if my satellite’s back. I could watch Damages

By the way, thanks to CJ for keeping this thing going. It would have died had it not been for her. I’d compare her to a TV character or actor who did that with a show…but I can’t think of one. Suggestions?

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Moltisanti’s Best TV Shows of the Decade

Posted by Christopher Moltisanti on December 31, 2009

1. The Sopranos

The best. Ever.

David Chase’s deeply perceptive realist drama attracted audiences with the promise of mafia intrigue. In reality, however, the mob was a supporting character in this study of modern American family life. It covered immense thematic ground—everything from generational conflict to the power of parents to our inability to cope with death to, well, the elusive meaning of life. Though set in a specific time period, this is a show that makes universal commentary on human nature. Its ideas and characters can be placed in any context at any time throughout history and still be valid. That’s the mark of great art, and that’s why it’s the best show I’ve ever seen.

2. Mad Men

Heavily influenced by The Sopranos, both stylistically and thematically, Mad Men has slightly less ambitious goals. And when I say slightly, I mean it attempts to capture the changing social fabric of America in the 1960s. So, yes, it’s still an ambitious show, and so far, a near-perfect one. Novelistic in its emphasis on specific themes, stylish beyond anything on TV and, like The Sopranos, touched with dark humor, Mad Men is the finest entertainment on television today. It’s already established itself in the pantheon of great television. Depending on how the next few years turn out, it could move even higher.

3. Arrested Development

Arrested Development is the funniest show I’ve ever seen. Its smart rapid-fire comedy was too, well, smart, for a mainstream TV audience, but its style makes it one of the most re-watchable shows I’ve ever seen. Will Arnett made my best actors list, but all the major players here (and the many guest stars) are brilliant. There are too many wonderful plotlines to mention here, but, if you haven’t seen it, go get in on DVD now. You won’t be disappointed.

LD

4. Curb Your Enthusiasm

Larry David’s Curb Your Enthusiasm is a close second to Arrested for “best comedy of the decade” honors. Its dissection of every day annoyances as seen through the eyes of the perceptive (some might say tiresome) David retreads ground from Seinfeld (albeit with edgier plotlines and more vulgarity). The show’s loose, improvised style lets its talented cast shine. Let’s hope David keeps it on the air for at least a few more seasons.

5. Deadwood

David Milch’s Deadwood is about the creation of a civilization—and the compromises, the odd alliances, the brutality, and, sometimes, the human decency that accompany it. Written in a unique, almost Shakespearian style and anchored by several strong performances, Deadwood is a powerful, gritty Western with a lot to say about human motivation.

6. 24

Save for a disastrous sixth season, 24 has been one of the most consistent shows on TV this decade. Season one is arguably the most compelling season of television of all time, and it’s ending proved that the writers were willing to push the envelope of network TV conventions. Six seasons later, the show is still going strong, coming off a series-saving seventh season that proved that it is still the most compelling hour on TV. He may not be the absolute best character, but Jack Bauer will be the defining character of a troubled decade marked by terrorist threats and muddied rules of engagement.

7. Friday Night Lights

FNL is a powerful portrait of middling, average people weighed down by expectations and visions of grandeur. Its plot is the stuff of classic literature — characters with lofty ambitions and dreams operating in an imperfect world muddled by personal flaws, social divisions and tragedy. It’s a show that captures the redemptive power of sports — for both fans and players. So, next time you wonder why people get so invested in athletics, watch this show, and you’ll understand.

8. The Office

The British version is great too, but I’ve only seen a few episodes, so I’m sticking with the one I’m familiar with. Steve Carrell is the reason this show makes the list. Michael Scott does mind-blowing things, but, as Feeney noted, we’re still sympathetic to him. The supporting cast is great as well, and, the show brilliantly captures the drudgery, personal conflicts and politics of office life.

9. Lost

Great characters make Lost a top 10 show

After a scintillating first season, this show went downhill. Not quickly, but steadily. Based on what the writers have been saying about their commitment to getting back to character development in the final season, I’m optimistic about the end of the series. Still, Lost offers lessons to writers and TV execs everywhere. It’s the characters, stupid. Sure, the mysteries of the island made the show that much more addicting, but the series’ ability to craft a handful of deep, compelling and conflicted characters made it a success.

10. The West Wing

Maybe I’m just bitter that it beat The Sopranos at the Emmy’s multiple times, or maybe it’s because I don’t love Aaron Sorkin’s writing style, but I was never enamored with this show. Still, this was a strong series for a long time that gave us a unique inside look into the workings of the White House. It’s a fascinating premise, especially for political observers, and, for the most part, it was a solid show.

P.S. I know, I know. The Wire is missing. Before any of you David Simon acolytes lose your heads, rest assured that I have the DVDs and have started watching it. Based on what I’ve seen so far, it will easily make this list. Once I finish the series, I’ll amend the list and give the show it’s rightful due. So, sorry West Wing, you’ll soon be a goner.

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